We moved constantly throughout his demonstration, looking for the best light and backgrounds near the hotel lobby. He discussed the importance of getting rid of distractions and junk in the background. In this location, we zoomed in enough just to capture the pattern in the background.
The beam on the left serves as a counter for our model so that the composition feels balanced.
Next on the agenda was Yervant's workshop. He had a fun-loving attitude and shared many personal anecdotes; I thought it was hilarious how he evaded permits and emphasized not letting "anyone control me".
His approach toward posing was simple: let people move around how they like for a bit and then tell them to freeze. As long as you incorporate triangles and geometry, the pose will look relaxed and genuine. No more stiff poses!
Yervant described how he takes photos to the next level. In the one below, he talked about how he would extend the background in post-production to make it more dramatic.
The last workshop of the day was with Jerry Ghionis, who can create something magical out of thin air! I love how his techniques don't always require lots of gear or assistants. For something fancy, we created clamshell lighting using two Ice Lights in a busy conference hall corridor:
Outdoors with a silver reflector and sunlight as the rim light:
Demonstrating how much more contrasty light is in the camera than to the naked eye:
Melissa, Jerry's charismatic wife and workshop assistant, held up a wirelessly tethered iPad to show photographs immediately after Jerry took them. What a useful tool for a busy workshop!
Yes sir, you can get really great lighting in an ugly parking light next to a MAC truck without a reflector!
Jerry demonstrating his posing principles with Khan.
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